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Uniting the World Through Entertainment: The Imagineering Story

In Culture, Featured, Reviews, Sam Hendrian, TV Reviews by Impact Admin

  – By Sam Hendrian – “What we are selling is not escapism, but reassurance.” This quote from legendary Disney imagineer John Hench captures Disney’s core mission perfectly, even if the multibillion-dollar company does not always live up to it. Escapism is predominantly commerical and maybe a little psychological; reassurance is profoundly spiritual. In The Imagineering Story, a six-part documentary …

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‘Honey Boy’: A Lesson on Masculinity from an Unlikely Source

In Culture, Featured, James Powers, Movie Reviews, Reviews by Impact Admin

By James Powers Lately, one doesn’t have to look far to find a lot of movies that are deeply concerned with the female experience, but nonetheless directed by men. Assassination Nation, Unsane, Widows, Suspiria, Tully and the upcoming Bombshell, to name just a few. Not that there’s anything wrong with male directors making films about female protagonists – “write what …

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The Liberty of Forgiveness in ‘Waves’

In Culture, Featured, Movie Reviews, Reviews, Sam Hendrian by Amanda Valdovinos

– By Sam Hendrian – *Contains spoilers Waves is one of the most powerful movies I have seen in a long time. It is complicatedly simple, heartbreakingly inspiring, and many other perplexing paradoxes. While tough to watch at times, it had me spontaneously praying, “Oh God, this is beautiful!” on multiple occasions, and if that is not a sign of …

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Controlling Happiness in ‘A Charlie Brown Christmas’

In Classic Film Throwback Series, Culture, Featured, Movie Reviews, Reviews, Sam Hendrian by Impact Admin

– By Sam Hendrian – “Christmas is coming, but I’m not happy. I don’t feel the way I’m supposed to feel.” These relatable words spoken by Charlie Brown to Linus at the beginning of the 1965 TV special A Charlie Brown Christmas perfectly capture the numbness that the commercialization of Christmas has brought over time. It’s the most wonderful time …

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Conversational Commitment and Unconditional Love in ‘A Beautiful Day in the Neighborhood’

In Culture, Featured, Movie Reviews, Reviews, Sam Hendrian by Impact Admin

– By Sam Hendrian – “Do you know what the most important thing is to me right now? Talking to Lloyd Vogel.” The renowned children’s television host Fred Rogers (Tom Hanks) speaks these words to the emotionally-wounded journalist Lloyd Vogel (Matthew Rhys) in an early scene of A Beautiful Day in the Neighborhood, a new, true story-inspired film that is …

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Knives Out: Rethinking The Classic Whodunnit

In Featured, Joe Campbell, Reviews by Impact Admin

– By Joe Campbell – [Editor’s Note: This review is free of any major spoilers] It’s almost impossible to surprise the audience with a murder mystery these days. What do you do when every conceivable angle has been covered? What if the murderer is the obvious suspect? Maybe it’s the unsuspecting hero? Maybe everybody is in on it. Maybe nobody …

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The Eternal Woman in ‘Little Women’

In Featured, Maria Andress, Movie Reviews, Reviews by Amanda Valdovinos

– By Maria Andress – Greta Gerwig’s recent adaption of Little Women raised both expectancy and a few eyebrows with the promise of good screenplay and the questions of why we needed a fifth Little Women film and whether it would be faithful to Louisa May Alcott with its stellar though decidedly third wave feminist cast. Delightfully, it was neither …

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The Immortality of the Soul and a Call to Virtue in ‘Doctor Sleep’

In Culture, Featured, Movie Reviews, Reviews, Sam Hendrian by Impact Admin

– By Sam Hendrian – “We’re all dying. The world’s just a hospice with fresh air.” This philosophical observation made by Dan Torrance (Ewan McGregor) midway through the cinematic Stephen King adaptation Doctor Sleep is rather bleak, but it is also undeniably true. Like the memento mori that monks sometimes keep on their desks, horror films are ultimately necessary reminders …

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The Brilliant Paradox of ‘Parasite’

In Culture, Featured, James Powers, Movie Reviews, Reviews by Impact Admin

By James Powers Contains Mild Spoilers The South Korean film Parasite, this year’s winner of the Cannes Palme d’Or, is full of striking imagery. Unexpected but trenchant symbolism keeps cropping up in this film that might, at first glance, seem to be relatively grounded in realism. But one particular shot, about two-thirds of the way through, struck me as an …