– By Matthew Sawczyn – Among the gorgeous visuals and bombastic explosions, there’s one brief moment in director Sam Mendes’ 1917 that truly encapsulates this tale’s theme of brotherhood and sacrifice. It’s a “blink and you miss it” line, an offhand act, subtle but powerful. The movie begins with two soldiers resting underneath a tree: Lance Corporal Blake (Dean-Charles Chapman) …
The Impractical Nature of Dreams in ‘Rudy’
By Sam Hendrian This article is part of our Classic Film Throwback Series. “Well, you know what my dad always says: Having dreams is what makes life tolerable.” Technically speaking, the word “dream” is synonymous with “hope,” “goal,” “aspiration,” and several other abstract nouns. Yet it seems to operate on a whole level of its own, transcending any concrete definition …
‘1917’, WWI Cinema, and the Horrors of War
– By Sam Hendrian – Hollywood is not-too-fondly renowned for its glorification of terrible things, especially war. Violence has the dangerous ability to entertain rather than disgust, undermining our instinctive understanding of human dignity. Yet despite this unfortunate trend, there are countless examples that do just the opposite, including Sam Mendes’s recently-released, critically-acclaimed World War I film 1917. With the …
Why We Still Need Little Women
– By Sam Hendrian – As someone who enjoyed reading Louisa May Alcott’s beloved novel Little Women, and as an admirer of Greta Gerwig’s directorial talents, I went to see the latest cinematic adaptation of the classic story and enjoyed it immensely. Of course, when people are constantly questioning whether Hollywood still has a bone of originality left in …
‘Honey Boy’: A Lesson on Masculinity from an Unlikely Source
By James Powers Lately, one doesn’t have to look far to find a lot of movies that are deeply concerned with the female experience, but nonetheless directed by men. Assassination Nation, Unsane, Widows, Suspiria, Tully and the upcoming Bombshell, to name just a few. Not that there’s anything wrong with male directors making films about female protagonists – “write what …
Marriage Story: Finding Life in Suffering
– By Matthew Sawczyn – Religious or not, a broken marriage may be one of life’s most painful tragedies. Each circumstance is different of course, but actor William Shatner might not have been far off when he said, “Divorce is probably as painful as death.” You will find a sea of quotes on the topic, if you go searching: inspirational …
The Liberty of Forgiveness in ‘Waves’
– By Sam Hendrian – *Contains spoilers Waves is one of the most powerful movies I have seen in a long time. It is complicatedly simple, heartbreakingly inspiring, and many other perplexing paradoxes. While tough to watch at times, it had me spontaneously praying, “Oh God, this is beautiful!” on multiple occasions, and if that is not a sign of …
Controlling Happiness in ‘A Charlie Brown Christmas’
– By Sam Hendrian – “Christmas is coming, but I’m not happy. I don’t feel the way I’m supposed to feel.” These relatable words spoken by Charlie Brown to Linus at the beginning of the 1965 TV special A Charlie Brown Christmas perfectly capture the numbness that the commercialization of Christmas has brought over time. It’s the most wonderful time …
Conversational Commitment and Unconditional Love in ‘A Beautiful Day in the Neighborhood’
– By Sam Hendrian – “Do you know what the most important thing is to me right now? Talking to Lloyd Vogel.” The renowned children’s television host Fred Rogers (Tom Hanks) speaks these words to the emotionally-wounded journalist Lloyd Vogel (Matthew Rhys) in an early scene of A Beautiful Day in the Neighborhood, a new, true story-inspired film that is …
The Eternal Woman in ‘Little Women’
– By Maria Andress – Greta Gerwig’s recent adaption of Little Women raised both expectancy and a few eyebrows with the promise of good screenplay and the questions of why we needed a fifth Little Women film and whether it would be faithful to Louisa May Alcott with its stellar though decidedly third wave feminist cast. Delightfully, it was neither …