– By Marielle Cuccinelli – The Fast and the Furious franchise is home to some of the most epically misogynist films I’ve ever seen. The series started in the early 2000s – the merry old days when it was totally cool for filmmakers to be openly, blatantly, incredibly sexist and objectifying. Some of the most …
Overcorrecting: The Objectification of Men in Film
– By Marielle Cuccinelli – I saw Alita: Battle Angel with a couple of male friends when it came out in February. As someone who’s hyper-aware of the objectification of women on-screen, I was much more satisfied with this film than I expected – I definitely went in prepared for anime action heroine Alita to …
“Shootable” Shows: 6 High-Quality, Low Budget Projects To Inspire Indie Filmmakers
– By Matthew Sawczyn – Recently, I re-listened to the 2015 South By Southwest Keynote address given by Mark Duplass, in which he laid out what may still be the greatest way for filmmakers to jumpstart their careers. He advocated for low budget solutions, reliable resources, and simple sets. And for those of us just …
Lions and Hedgehogs and Cats, Oh Yikes!
– By James Powers – It’s been a few weeks, so by now most of us have probably forgotten about the profound weirdness of Universal’s trailer for its upcoming big-screen treatment of Cats. But I haven’t forgotten. No, I refuse to forget; in fact, I’ve been thinking about it this whole time. There’s more to unpack …
Disney’s Retroactive Editing
– By Joe Campbell – When Toy Story 2 was re-released on blu-ray this year, fans were quick to notice something was missing. During the end credits a blooper reel full of character “outtake” plays, often having Woody, Buzz, and the gang break character as on-set shenanigans ensue. The blooper reel was still there, but …
The Failure of Strong Female Characters
– By Marielle Cuccinelli – (This article contains some spoilers for Roar Uthaug’s Tomb Raider) Over the last couple of years, we’ve seen a push to bring more female representation to the screen. Every genre has manifested varying degrees of change on this front; where I’m most informed is the action genre, so that will be …
Everything You Need to Know About Marvel’s Phase 4
– By Tyler Carlos – Ahhh…Comic-Con. The time of year when film and television enthusiasts gather all in one place to catch a glimpse of their favorite stars and be the first to know what will be happening in film culture over the next year. Comic-Con 2019 was no exception, though this year focused more …
Seeing the World in Black and White: What’s the Appeal of Decolorizing Movies?
– By Joe Campbell – When CBS released their reboot of Twilight Zone this year, they surprised everyone by releasing a black and white version of each episode side-by-side with the original “color” versions. This was a publicity stunt meant to bring audiences back to the memory of the original ‘60s show they grew up …
Why Stranger Things 3 Was a Letdown For Me
– By James Powers – It took a little while for me to jump on the Stranger Things bandwagon when the first season came out three years ago. I remember thinking the title sequence was a slam-dunk when I first saw it. With its brooding synth score and imitation optical typography, it captured the retro …
A24’s Secret Sauce for Film Marketing
– By James Powers – Back when Avengers: Endgame came out, I published a long rant about how movies like it – massive “event” films with astronomical budgets and correspondingly astronomical audiences – have essentially become the new business model for wide-release theatrical features. In this day and age, a theatrical film that hopes to …